Feldman’s Rothko Chapel
Novi Sad Synagogue
Program:
Morton Feldman / Rothko Chapel
for mixed choir and intruments
Novi Sad Chamber Choir
2K+ ensemble
Rafal Zalech / viola
Radoslava Vorgić Žuržovan / soprano
Dunja Crnjanski / celeste
Ivan Burka / percussion
Conductor: Božidar Crnjanski
Ensemble Phoenix Basel
Serbian National Theatre
Program:
Svetlana Maraš / Funny obelisk
2023, Serbian premiere, commission EPB
Lucas Niggli / PLAY!
2022, Serbian premiere, commission EPB)
Ensemble Phoenix Basel:
Christoph Bösch / flute
Toshiko Sakakibara / clarinet
Lucas Rößner / bassoon
Nenad Marković / trumpet
Michael Büttler / trombone
Janne Jakobsson / tuba
Maurizio Grandinetti / e-guitar
João Pacheco / percussion
Samuel Wettstein / keyboard
Aleksander Gabryś / contrabass
Thomas Peter / electronics
Fabrizio Di Salvo / sound design
Lucas Niggli / drums (PLAY!)
Feedback Essays
Cultural Centre of Vojvodina “Milos Crnjanski”
Program:
Feedback Essays
Igor Čubrilović / resonator
Igor Štanglicki / no input mixer
Ivan Čkonjević / semi acoustic el. guitar
Woo Way
Cultural Centre of Vojvodina “Milos Crnjanski”
Program:
Listening / Text: Dunja Crnjanski
Stara Planina / Text: Daniel More
Bis-Pis / Idea: Daniel More
Dunja Crnjansk / piano
Daniel More / contrabass
Flute Theater
Svilara – Cultural station
Program:
K. Stockhausen / In Freundschaft, flute
O. Knussen / Masks, flute and glass bells
J. Misurell-Michell / Profaning the Sacred, voice, flute and alt flute
I. Clarke / Hatching Aliens, flute and piano
I. Clarke / Tuberama, flute and tape
Marija Pilipović / flutes
Dejan Janković / piano
Choreography and dance:
Ana Tešić
Milica Jakovljević
Thea Soti
Cultural Centre of Vojvodine “Milos Crnjanski”
Thea Soti / Øver+
Audioscores
Svilara – Cultural station
Program:
Svetozar Nešić / 1 word for 2 chords and instruments
sample, flute, bassoon, accordion, violin, violoncello and contrabass
Sandeep Bhagwati / Villanelles de Voyelles
4 singers and audioscore
Elisabeth Schimana / Virus #2.6 the|same|but|different
live generated electronic resonating body (the score), violin, violoncello, contrabass and bassoon
Open conversation with Elisabeth Schimanom – moderator Natasa Tasic
2K+ ensemble:
Elisabeth Schimana / live electronics
Jelena Trebaticki / flute
Aleksa Marinković / bassoon
Dragana Kuzmanović / accordion
Mina Mladenović / violin
Milica Svirac / violonccelo
Aleksander Gabryś / contrabass
Radoslava Vorgić Žuržovan / voice
Dunja Palček / voice
Dunja Huzjan / voice
Goran Strgar / voice
4 singers and audioscore
Elisabeth Schimana / Virus #2.6 the|same|but|different
live generated electronic resonating body (the score), violin, violoncello, contrabass and bassoon
Open conversation with Elisabeth Schimanom – moderator Natasa Tasic
2K+ ensemble:
Elisabeth Schimana / live electronics
Jelena Trebaticki / flute
Aleksa Marinković / bassoon
Dragana Kuzmanović / accordion
Mina Mladenović / violin
Milica Svirac / violonccelo
Aleksander Gabryś / contrabass
Radoslava Vorgić Žuržovan / voice
Dunja Palček / voice
Dunja Huzjan / voice
Goran Strgar / voice
Andrew Leslie Hooker & Aleksander Gabrys
Cultural Centre of Vojvodine “Milos Crnjanski”
Program:
ForTheWorld’sMoreFullOfWeepingThanYouCanUnderstand
for contrabass and tape
Composed (between 2018 & 2022) by:
Andrew Leslie Hooker & Aleksander Gabrys
Andrew Leslie Hooker / electronics
Aleksander Gabrys / contrabass
Black Page Orchestra 2022
City Concert Hall
Program:
Maja Bosnić / (mno.go)) (2021)
for ensemble, electronics, video and ear protectors
Matthias Kranebitter / Combative Music And Its Algorithmic Demystification (2021)
for ensebmle and electronics
Øyvind Torvund / Plans for Future Ensemble Music (2020)
for ensemble and video Ana Gnjatović / Forest Migrations (2022)
for ensemble and electronics
Christof Ressi / GIF Frenzy (2020)
for ensemble, electronics and live video Mirela Ivičević / F SonG (2014-2016)
for ensemble and electronics
for ensemble and electronics
for ensemble, electronics and live video
Mirela Ivičević / F SonG (2014-2016)
for ensemble and electronics